Over the past two decades, Begg recognized for her 'apparently monochromatic' canvases has made a bold contribution to the critical debate on the language and parameters of painting. This one-woman show, titled fuckloveallyouneedisagreatpairofshoes-apparently/ quesejodaelamortodoloquenecesitasesunbuenpardezapatos-aparentemente, will continue through May 27.

In the 1990s, Begg began to mount sets of her 'apparently monochromatic' canvases into a single installation, provoking a questioning of both the language and validity of the painting, while forming proposals for a new vocabulary. A parallel development has been the artist's use of every-day objects ranging from bricks to beds, shoes, and televisions as supports for her painting. By replacing canvas and stretcher, Begg reveals the process of her act of painting as an element of a conceptual syntax of appropriation and transformation. For this current exhibition, Begg will exhibit a number of painting installations which take on the architecture of the space once again questioning traditional expectations in her choice of medium.

Torie Begg (London, 1962) has participated in group and individual shows at such international venues as Galerie Albrecht, Munich, Kölnischer Kunstverein (Art Association of Cologne), Art & Public, Geneva, and The Museum of Modern Art, Saint-Etienne, France. Her work also appears in private, corporate, and public collections in Austria, Belgium, France, Germany, Israel,South Korea, Switzerland, the United Kingdom, and the United States of America.